![]() When she wakes up the next morning, the divorce papers are laying on her bed signed by Jake. Jake becomes angry with her and takes her home. Jake refuses to divorce her until one night she gets drunk and explains to everyone in the bar that the reason she married Jake was because she was pregnant, and she later had a miscarriage. She has not told Andrew that she is still married. Her private reason is to demand a divorce from Jake. When she becomes engaged to Andrew, the son of the mayor of New York City, Melanie announces that she has to go back home alone to Alabama to tell her parents in person. ![]() Melanie is a successful yet expectant fashion designer. The story is a love triangle involving two childhood Alabama sweethearts who married but became estranged, Jake Perry and Melanie Smooter (Lucas and Witherspoon), and Melanie's longtime boyfriend Andrew Hennings (Dempsey). The film was released on September 27, 2002. "Sweet Home Alabama" is a 2002 romantic comedy directed by Andy Tennant and stars Reese Witherspoon, Josh Lucas, and Patrick Dempsey. Jay Cox (screenplay) starring = Reese Witherspoon Josh Lucas Patrick Dempsey Fred Ward Candice Bergen Mary Kay Place distributor = Touchstone Pictures released = Septemruntime = approximately 109 min. Fans of the rom-com, however, should be ready to book their place at My Big Fat Redneck Wedding.Infobox Film name = Sweet Home Alabama director = Andy Tennant producer = David Brown Michael Tolkin writer = Douglas J. So, despite Witherspoon's best efforts (and those of a decent supporting cast, particularly Josh Lucas as her Southern beau and Ethan Embry as her abandoned best friend), there's not enough here to fulfil an across-the-boards crowd. Where are the black faces? And would these good ol' boys really accept the unexpected 'outing' of one of their own quite so readily? It's hardly a documentary, but you get the feeling that this particular homely Southern scene has had the more troubling bits airbrushed out. On the way, unfortunately, we're forced to travel roads inhabited by Southern stereotypes, cheesy sob scenes and a couple of turnarounds (Dempsey's Andrew especially) that seem to be more plot-driven than character-credible. That cute girl-next-door persona is just the bait: she really does have the dramatic ability to guide us through the character's less appealing points and towards a happy ending. And so, as both Melanie and the audience come to realise that the Manhattan world she has created for herself is indeed a fantasy land that's at odds with the person she really is, it takes an actress of Witherspoon's calibre to keep us on her side. Why exactly has Melanie reinvented herself? Why is she so ashamed of her loving family? Isn't she - now that we're scrutinising her more closely - rather selfish, rude and condescending? In other words, she's not the lightweight heroine who floats through other romantic comedies. But, as Melanie's checked-shirt past starts to show through the cracks of her designer-clad present, there's more on offer here than first meets the eye. Then, with a nod to Witherspoon's previous box office clout, the story takes on a Legally Blonde form, as the snooty city sophisticate goes on a fish-out-of-water trip back to her smalltown Southern roots.Īll the comedy contrasts you'd expect are present and correct. ![]() It starts off in make-believe mode, with cute and sparky Melanie (Witherspoon) wowing the New York fashion elite and indulging in romantic overload as the mayor's son, Andrew (Patrick Dempsey), proposes to her in Tiffany's, of all places. Before it settles down snugly into a formulaic final act, the film visits areas of character psychology where your typical Hollywood fluff fears to tread. It's the dramatic aspects of this feel-good movie that set it apart. Sweet Home Alabama raked in a record-breaking $35 million in its opening weekend, and judged on opening weekends, Reese is now officially bigger than Julia.The $20 million pay cheque is surely in the post, but Sweet Home Alabama proves that she's worth every last cent.įew actresses of Witherspoon's generation could so successfully grab hold of the darker currents beneath this slight fairy tale's surface and pull it upstream against a tide of rom-com clichés. ![]()
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